Trumpeter Brian Lynch and Hollistic MusicWorks are proud to announce their double success in the 2017 Jazz Journalists Association Jazz Awards, the winners of whom were announced on May 17th by the JJA. Lynch has been named Trumpeter Of The Year by the association, and his latest recording, the Grammy© Award nominated Madera Latino: A Latin Jazz Interpretation On The Music Of Woody Shaw was named Record Of The Year.
Hollistic MusicWorks proudly presents trumpeter Jared Hall‘s debut CD Hallways, the first release in HMW’s Mentor Series. The Mentor Series presents the work of emerging artists as selected and produced by HMW label head Brian Lynch.
Trumpeter and composer Jared Hall hails from Washington State and has studied at Whitworth University, the Indiana University Jacobs School Of Music, and the University Of Miami’s Frost School Of Music, where he received the degree of Doctor of Musical Arts in 2015. His teachers include Terence Blanchard, Michael Spiro, Whit Sidener, and Brian Lynch, under which he pursued his doctoral studies. Hall is the winner of the 2013 National Trumpet Competition – Jazz Division, and has performed and recorded with Bob Hurst, John Daversa, Peter Erskine, Dave Liebman, Alan Pasqua, Brian Lynch, Ira Sullivan, Jeff “Tain” Watts, David Binney, Fred Hersch, the South Florida Jazz Orchestra, the Frost Concert Jazz Band, and the Henry Mancini Jazz Septet directed by Terence Blanchard, among many others.
The past week brought some great news for me and the Hollistic MusicWorks label – my “Madera Latino” project, celebrating the music of the great Woody Shaw through a Latin Jazz lens and featuring some of today’s top jazz trumpeters, has been nominated for a Grammy® in the category of Best Latin Jazz Album! This is my fourth Grammy nomination, and comes exactly 10 years after my “Simpático” CD in collaboration with Eddie Palmieri won a Grammy in the same category. It’s the first nomination for my label Hollistic MusicWorks, and a testament to the power of DIY (do it yourself)! It wouldn’t have been possible without the great musicians that participated (my trumpet brothers and others), engineers, video/photo crew and the backers for the Kickstarter project that raised funds for Madera’s publicity campaign. (a tally of some of these wonderful folks is at the bottom of this message)